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about
I am a Senior Colorist with over 25 years of experience in the Los Angeles film and television industry. Over the years, I’ve worked my way from set life as a production grip to the finishing suites of Kodak, Technicolor, Warner Bros., Light Iron, and Tyler Perry Studios, learning from incredible artists, filmmakers, and mentors along the way.
One thing I’ve always believed is that great color work isn’t about ego or overcomplicating the process. It’s about collaboration, trust, and helping people feel supported creatively from start to finish.
the creative partner
People often tell me I’m easy to work with, and honestly, that matters just as much to me as the final image on screen.
I bring a calm, collaborative energy into every session, whether we’re building a look from scratch, refining subtle emotional shifts, or solving technical challenges under pressure. My job is to help directors, DPs, producers, and creatives feel confident throughout the finishing process while protecting the integrity of the cinematography and story.
The best work comes from creating an environment where people can focus on the creative instead of worrying about the technical.
I’ve had the privilege of contributing to a wide range of projects from the stylized worlds of Penny Dreadful: City of Angels and American Horror Story to the vibrant energy of Tyler Perry's House of Payne and Let Frankie Cook.
No matter the scale of the project, my approach stays the same: keep the process smooth, collaborative, efficient, and focused on making the story look its best.
color fort post, inc.
In 2021, I founded Color Fort Post, Inc. to create a more personalized and filmmaker-friendly post experience.
By working independently, I’m able to offer the flexibility, attention, and direct collaboration that many productions are looking for today while still bringing a studio-grade DaVinci Resolve workflow and decades of finishing experience to every project.
Whether it’s a feature film, episodic series, comedy, remastering project, or commercial campaign, I care deeply about making the process feel seamless for the people involved.
affiliations
Motion Picture Editors Guild (IATSE Local 700)
Colorist Society International (CSI) – Full Member
off the clock
When I’m away from the monitors, I’m usually spending time with my wife and daughter; often on the road in the family minivan or relaxing at home taking care of Spider-Man, our African dwarf frog, and his little aquatic crew.
Those slower moments outside the bay help keep me grounded and creatively refreshed.
Let’s Get in Touch